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  • Penn Humanities Forum to become Wolf Humanities Center

    The Penn Humanities Forum is enjoying new horizons thanks to a gift from Noelle and Dick Wolf, C’69, PAR’15. The gift will endow and make permanent the Forum, enabling the already renowned program to continue to bring the humanities into conversation with a diverse and expanding array of disciplines and with people from Penn, the Philadelphia region, and world. “It is often said that the humanities are shrinking,” notes Forum Director Jim English, also the John Welsh Centennial Professor of English. “But today, exactly the opposite is true: They are expanding, becoming ever more vital participants in many fields, from sustainability studies to the health sciences.”

    “We are delighted to support Penn’s thriving humanities center and help it extend its reach across disciplines and communities,” said Dick Wolf. In honor of this gift, the program will be renamed the Wolf Humanities Center. More

  • When Art Disrupts Religion

    In his new book, When Art Disrupts Religion: Aesthetic Experience and the Evangelical Mind (Oxford University Press, March 1, 2017), Philip S. Francis, Assistant Professor of Religious Studies at Manhattan College, lays bare the power of the arts to unsettle and rework deeply engrained religious beliefs and practices. Drawing on memoirs, interviews, and field notes, Francis writes of 82 Evangelical alumni of Bob Jones University and the Oregon Extension who underwent a sea-change of religious identity through exposure to the works of such artists as Mark Rothko, Fyodor Dostoevsy, Bob Dylan, Anne Lamott, Beethoven, and others. Francis completed his book while an Andrew W. Mellon Postdoctoral Fellow at the Penn Humanities Forum in 2015–2016.

  • How does skin color affect families?

    In her new book, Same Family, Different Colors (Beacon Press, 2016), Temple University journalism professor Lori Tharps confronts the impact of colorism and color bias (the preference for or presumed superiority of people based on the color of their skin) on mixed-race families. Weaving together personal stories of her own family (she is a Black woman married to a Spanish man; their three children each have a different skin tone), as well as history and analysis, Tharps explores the many ways that the politics of skin color affect personal relationships and self-esteem. Tharps, who conducted research for her book while a 2014–2015 Regional Fellow with the Penn Humanities Forum, also blogs about her experiences at My American Meltingpot: A Multi-Culti Mix of Identity Politics, Parenting & Pop Culture

  • Big data alone cannot predict the next armed conflict

    The expectation that big data alone will be enough to predict armed conflict is unrealistic, according a recent Science essay coauthored by Lars-Erik Cederman, professor of international conflict research at ETH Zurich. Cederman spoke at the Forum on Violence in 2013 on how new spatial models he was developing might better explain how civil wars break out and could possibly be prevented. In the February 3, 2017 Science essay, Cederman and Nils Weidmann argue that while big data can make predictions more accurate, history is often erratic and unpredictable, and in the case of armed conflict highly complex. "Overall," write the authors, "we strongly believe that conflict prediction is useful and worth investing in. Yet, future forecasting research needs to recognize the inherent limitations imposed by massive historical complexity and contingency in human systems."

  • Leon Hilton awarded Andy Warhol Foundation Arts Writers Grant

    Leon J. Hilton, an Andrew W. Mellon Postdoctoral Fellow with the Forum this year, has received a $15,000 award from the Creative Capital/Andy Warhold Foundation Arts Writers Grant Program. The award will support Hilton's work to research and write an article on the work of feminist artist, writer, and anti-psychiatry activist Kate Millett. In the article, "Come Aboard Our Ship of Folly: Kate Millett and the Feminist Aesthetics of Anti-Psychiatry," Hilton will trace a series of significant but overlooked connections between feminism and political critiques of psychiatric authority in postwar American art and aesthetic practice. Designed to support writing about contemporary art, the Warhol Foundation Arts Writers Grants Program, the first of its kind, was founded in recognition of both the financially difficult situation of arts writers and their indispensible contribution to a vital artistic culture.

  • Jeanne Vaccaro also receives Warhol Foundation Arts Writers Grant

    Writer and curator Jeanne Vaccaro has also received a Warhol Foundation Arts Writers Grant to write Handmade: Feelings and Textures of Transgender, a book that will trace the haptic and 'felt' labor of crafting transgender. Vaccaro is a postdoctoral fellow in Gender Studies at Indiana University and a research fellow at the Kinsey Institute archives. From 2012–2014, she was an Andrew W. Mellon Postdoctoral Fellow in Sexuality Studies in the Department of English at the University of Pennsylvania, where she was also an Associate Scholar at the Penn Humanities Forum. Her research while a Penn Postdoctoral Fellow formed the basis of her Warhol Foundation award.

  • Jim English presents 2016 National Book Award for Fiction to Colson Whitehead

    As chair of the 2016 National Book Foundation Fiction Panel, Forum Director Jim English presents Colson Whitehead with the award for The Underground Railroad in this C-Span clip of the 67th annual National Book Awards ceremony held November 16 in New York City. In addition to Jim, Fiction judges included Karen Joy Fowler, T. Geronimo Johnson, Julie Otsuke, and Jesmyn Ward. Jim is also the John Welsh Centennial Professor of English and founding director of the Price Lab for Digital Humanities at Penn. Jim's fall 2016 course at the University of Pennsylvania, "Novel of the Year," which he mentions in his remarks, not only gave students a rare up-close view of literary prizes, but it also introduced them to how to run computer alorithms to try to predict the prize winner. 

  • Bethany Wiggin Receives Whiting Public Engagement Fellowship

    Penn Professor Bethany Wiggin, the 2016–2017 Forum on Translation Topic Director, is one of eight inaugural recipients of the prestigious Whiting Public Engagement Fellowship for her Floating on Warmer Waters project. Wiggin, Associate Professor of Germanic Languages and Literatures, is the founding director of the Penn Program in Environmental Humanities. Her project, "Making a River's Past, Present, and Future Visible from America's Oldest Botanical Garden," will consider how people in Philadelphia can interact more sustainably with their environment. In collaboration with Bartram's Garden and River Corps, Wiggin will, among other things, develop tours of the Lower Schuylkill River as a way to help people connect more personally with the storied waterway through understanding the city's Quaker past and possible utopian future in the face of global warming and rising river water.

  • Gay Rights in Peru

    Penn senior Marco Herndon, who received a Penn Humanities Forum Undergraduate Research Fellowship this year for his research on gay rights in Peru, writes in the April 1st Living in Peru about gay rights in his hometown, Lima, and how the fight differs between grassroots activists and those who are privileged. Following graduation, Marco will head to law school with plans to become an international human rights lawyer.

  • Forum's Director, James English, receives the School of Arts and Sciences highest teaching honor

    The Penn Humanities Forum congratulates its Director, James F. English, who has received The Ira H. Abrams Memorial Award for Distinguished Teaching from the School of Arts and Sciences. It is the school's highest teaching honor, recognizing faculty who are nominated by their students and departments for embodying high standards of integrity and fairness, having a strong commitment to learning, and being open to new ideas. Professor English also is the John Welsh Centennial Professor of English and Director of the Price Lab for Digital Humanities.